Tag Archives: Segerstrom Hall

World Affairs Council of OC AND Alonzo King’s LINES Ballet

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Today our guests cover the world in two different ways, two different constructs. We start with Richard Downie, President and CEO of the World Affairs Council of Orange County, talking about the forums and mentoring that his local chapter offers the community. He surveys some highlights and moves into what they’ve got planned for 2024. In the second segment (approx. minute 30:00) Alonzo King Co-Founder, Artistic Director and Choreographer of LINES Ballet, raises the fundamentals of life and creativity, in advance of his San Francisco company performing Jan 20th, 7:30 p..m., at Segerstrom Hall. Details about the performance are available at: https://www.scfta.org/shows-events.

Music credits: Chimora, “Africano Americano,” Sounds of Africa – album; Aaron Lington Quartet performing Robert Nelson’s Concerto for Baritone Saxophone and Orchestra, “III allegro,” Secondary Impressions – album; Wayne Shorter Quartet, “Zero Gravity,” Beyond the Sound Barrier – album.

http://www.kuci.org/podcastfiles/984/DownieKing1-9-24.mp3

At The Border AND In The Theater – La Posada and The Nutcracker

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Sometimes we just need to cover a lot of ground, starting with Adriana Jasso, Human Rights Advocate based in San Diego, California. She speaks in her capacity as the Program Coordinator for the U.S./Mexico Border Program of the American Friends Service Committee, at various open-air detention sites in San Diego County. During the annual tradition of La Posada, Adriana takes stock of what the inn actually looks like. https://afsc.org/action/take-action-stop-border-militarization?ms=WEB23TA. The extended portion of this interview can be heard in a separate sound file. Please refer to that post on this same day.

In the second segment (approx. minute 34:00), Susan Jaffe, the artistic director and interim executive director of American Ballet Theater, has some special takes as her company performs “The Nutcracker” at the Segerstrom Hall, Dec 8th-17th, choreographed by Alexei Ratmansky. Tchaikovsky’s score is performed live by Pacific Symphony. Ticket details are available at: https://www.scfta.org/events/2023/american-ballet-theatre-s-the-nutcracker.

Music credits: Chimora, “Africano Americano,” Sounds of Africa – album; Adeste Fideles, “Vayamos Cristianos,” en español, Canto Católico Christmas Carol Album; Hal Leonard Choral, “Three Jazzy Nutcrackers,” (SATB Choir, a cappella) – arranged by Paul Langford.

http://www.kuci.org/podcastfiles/984/JassoJaffePod12-12-23.mp3

This is an extension of the interview with Adriana Jasso. The host sought personal context for what it feels like to be providing aide amidst refugees’ wide range of needs. http://www.kuci.org/podcastfiles/984/JassoPart2Pod12-12-23.mp3

United Ukrainian Ballet Co Brings “Giselle” to Segerstrom Hall

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Today my guests are: Alexis Tutunnique and Elizaveta Gogidze, both principal dancers with the United Ukrainian Ballet Company, an assemblage of refugee dancers from all over Ukraine, who will perform at our Segerstrom Hall, 6/29-7/2nd, in Alexei Ratmansky’s version of the ghost story “Giselle, with surprising nuances and a hopeful ending in place of the usual bleak one. They’ve performed in the Netherlands, the UK, Singapore, Australia and the US; we are fortunate to have them in our neighborhood. These artists express what they are doing, and what’s on their minds. Details for tickets and times are available at: https://www.scfta.org/events/2023/united-ukrainian-ballet.

Music credits: Chimora, “Africano Americano,” Sounds of Africa – album; and Vsevolod Zaderatsky, “Preludes and Fugues in a minor,” performed by Irma Klimenko.

Note to listeners: In 1937 Ukrainian composer Vsevolod Zaderatsky (1891-1953) was one of those who fell under the Great Terror – the most brutal of Stalinist repressions. In earlier years all his compositions were destroyed to render him silent. Zaderatsky was accused of being a teacher for young Tsarevich, of formalism – a fraught word, which means one’s music is not approved by the Party – and of “anti-Soviet statements” that musical life in Ukraine was superior to that in Yaroslavl (Russia), where he worked before. This prelude and fugue was written during his imprisonment in GULAG – on fragments of telegram forms, without access to any musical instrument – and performed publicly only in 2014, 75 years after the composer’s death. Please listen to the whole work.

http://www.kuci.org/podcastfiles/984/UnitedUABalletCo6-20-23.mp3

ABT brings “Like Water for Chocolate” to Segerstrom Hall AND Sisters Ann and Liz Callaway Bring Song to the Samueli Theater

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Today’s program is fine art all the way, offered locally. The first focus was on Susan Jaffe, who due to a string of technical calamities, was unable to speak on the program. Of interest was her career as premier dancer, choreographer, now the new artistic director of American Ballet Theater on the eve of the upcoming North American premiere of Like Water for Chocolate staged at Segerstrom Hall March 29 – April 2, the production of which is based on the novel by Laura Esquivel.

In the second segment (minute 10:54) we’re treated to Liz Callaway, who spoke about her shared career work with her sister Ann Callaway, both of whom will also be appearing this week at the Center, at the Samueli Theater, performing jazz on the theme “Broadway the CallaWay,” March 30, 31, and April 1. Details for both performance runs are available at: https://www.scfta.org/shows-events.

Music credits: Chimora, “Africano Americano,” Sounds of Africa- album; Charles Lloyd, “La Llorona,” 8: Kindred Spirits – album; Ann Callaway, with the Ted Rosenthal Trio, “The Nearness of You,“ Jazz Goes to the Movies – album.

http://www.kuci.org/podcastfiles/984/SC4PA3-28-23.mp3″

Kevin McKenzie’s Gracious Bow As Artistic Director of the American Ballet Theater

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American Ballet Theater’s retiring artistic director Kevin McKenzie reviews his 30 years of leadership with the company. Topics include the arc of a dancer’s career, comparisons between the scourges of AIDS and COVID, Russian connections, art education in America, and the baton he hands off to incoming director Susan Jaffee. Mr. McKenzie appears in Orange County during the current run of The Nucracker performed now through December 18th at the Segerstrom Hall, https://www.scfta.org/shows-events.

Music credits: “Amen,” composed and conducted by Carlos Simon.

http://www.kuci.org/podcastfiles/984/McKenziePod12-13-22.mp3